All the times I’ve left you.

 

 

 

I’ve looked for but cannot locate

the antidote to this ambivalence

clinging

barnacle to rock face

to all I thought we were.

 

Like Frankenstein’s monster

as we try not to be

our fathers; our mothers

we lurch from shaky foot

to shaky foot.

 

Blockheads; close upon blind

the pain pools from us

like an overturned bottle of ink

seeping through skin; paper thin

indelible.

 

I am unforgiven; paying dear

for the sins of some other Eve

and you have sentenced to death.

Fish on hooks we thrash; strangling

choking slowly in the net.

 

All the times I’ve left you

your breath in the night’s quiet; smoking

a lonely-hours uncomforting cigarette.

Aghast as you felt for me beside you

but found instead a frigid hollow.

 

to the mothers of girls…

I watched the woman and her tiny child
bonneted; every shade of pink
clad in illustrated rubber boots
to stay the waters foamy-edged invasion.

One foot, two feet; plopped onto the sand
until a comic Chaplinesque sequence
had carried her
from shiny treasure shell to shiny treasure shell.

All the while the woman stayed nearby
quick to steady her; mindful of a fall
the sharp stones that waited on the ground
to split apart a still unsullied skin.

From between her milk-fat, wind-ruddied cheeks
a crescent moon of pristine pearls appeared
and two minikin starfish; sand encrusted
reached upwards; a show and tell -“Mummy, Sand.”

I knew them but did not approach; walking further on
as the sea washed the shore. I knew them and
I kept them close
but I did not look back.

She will feel the tide drag the water from the sand
the shoreline forever altered.  She will mourn when
first words are lost upon the biting wind of change
when seasons turn and pink is no longer the favoured hue.

Those precious pearls will loosen, fall; hid beneath a sleeping head
stole by faeries in the midnight ink and bit by bit
the child will unfold until the blush of her cheek; tone of her lips
are drawn with a new kind of crayon.

I will see the woman again at the water’s edge; alone.
grateful; we will sink our toes in the cooling, fast-fading footfalls
made and left by our line; our children just a blink of the eye from us
shaded pink among the shiny treasure shells.

matters pertaining to the murder of children

 

You were (all of you) oh so delicate; crushed
-pressed against the glass; petals flattened
the sap from the midrib bleeding into each bruise

spread like the last of a jar of jam
Sweet Violets in a Bastard Mahogany frame.
Captured; the bastard

in the shuttered eye of a camera obscura
–his own blacked; in a fitting reprisal
delivered by the boys in blue; cheering themselves up

while in the station canteen
(I like to imagine) ‘Anyone who had a heart’
was played too loud.

We shut our eyes; tried not to see the months
the moments just before the dark chambers of your own
infant hearts had ceased to pulse

long moments that would grow, become monsters we hid from
if we did not reign them in with enquiries, with outcomes
with findings

though I have found it difficult since; to put from my mind
to forsake you oh my darlings,  as I find myself still wanting
to suture the wounds in your frail petals

bewailing the ugly obliquity of your broken stems
my face (like your own might once have been)
pressed close to the glass for sight of you, lost

in childish rhyme ‘He loves me, he loves me not’
-you blow upon the comose clocks of wet-the-beds
skipping home from school.

The Returned…

Children played here once. The remains of a coloured football lay like a spoiled soufflé in the corner by the wall among a pile of dark, sodden autumn leaves.

There was other debris too, the rusting wheel of a scooter emerging from the long grass onto the pathway – a death trap if you didn’t spot it, and an old fashioned doll. She was sat looking out from behind the window, and her sightless eyes followed the path all the way down the garden to the rotting wooden gate, as though she was waiting for someone.

She had matted chestnut hair and only one foot, and I had a sudden and terribly strong image of a warming fire in the hearth, and a little girl in a tearful tug of war with a playful puppy, and I found myself smiling benignly at the doll through the filthy glass.

After I had fought with the stiff and creaking lock (the key finally turning with a peculiar ease when I had all but given up) and then with the door itself, which seemed determined to keep me on the outside, I stepped gingerly into what must once have been the kitchen. Much of the ceiling now lay shattered on the floor, exposing the faded wallpaper and ornate ceiling rose of the bedroom above.

There was little else in the room except for a large porcelain ‘Butler’ sink and over it a brass tap, its end discoloured green. A solid oak table stood in the centre, a thick layer of dust covering the well-worn surface, upon which a message, clearly written with a finger, said ‘Welcome Home Darling’ which was not shocking in itself, but for the fact it looked as though it had been scribbled there in the dust only moments before.

Dismissing the small shiver in my spine as somebody ‘walked over my grave’ I crossed the kitchen floor towards the cellar door. Like the last one, it would not budge, resisting every turn of the handle, every push or pull. Eventually I decided a shove would do it, but just as my left shoulder was about to make contact with the grimy, peeling paintwork, the latch clicked and the door swung open.

Most people might have been a little frightened at this point, but I had never held any belief in ghosts and such like, it always seemed like a lot of nonsense, and anyway I needed to get down into that cellar, measure up and check for moisture content and any obvious signs of flooding. A property of this age, and this close to the underground river may stand on very perilous ground, and if, as Mr Connolly had implied, all three terraces were to be bulldozed in order to rebuild, then as the surveyor, it was very important that I got the water levels correct in my report.

I was down there for just a few moments, ten at most, when I became aware of a sudden, strong feeling of sheer, utter joy; the trouble was I just couldn’t have truthfully said it was mine. The feeling stayed for about three or four minutes, and it was so lovely I smiled as I made my notes, and when I went up the stairs I found to my delight that I was whistling, that old World War Two song ‘We’ll Meet Again’ and I had a spring in my step I hadn’t found in quite a while, at least not since the divorce. Twenty-three years of marriage and every one of them had choked and squeezed the ‘joie de vivre’ out of me. Trapped, that’s what I was from the moment I said ‘I do’ and signed my life away in the Register.

I shut the cellar door behind me, walked across the kitchen to the back door I had entered through, and turned the handle, but it wouldn’t budge. No matter how much I tried, the thing was completely stuck. The tiny windows would be impossible to get through and there was no other way through the rest of the house, the property having been condemned some time ago.

Just seconds before the remains of the ceiling fell I sensed it, but there was simply nowhere to go. The whole place must have caved in as the last thing I saw as I looked up was that beautiful plaster ceiling rose from the bedroom above as it hurtled towards me.

Sometime afterwards I became aware of myself once more, and I must admit to feeling a little wobbly.  It’s very strange, but the ceiling is back where it should be, and the kitchen feels warm and oddly familiar, I just can’t put my finger on it…but then it’s just so difficult to write in this dust.

In The Anderson Shelter…

In the Anderson Shelter they wait to be collected
in dust-coats, upright with fear
they are also dutiful soldiers; sitting to attention (as they were)

they face one another on old kitchen chairs
Letty’s hands folded in her lap and Cath’s alligator bag
her papers and her valuables inside

clutched tightly in her brittle fingers. Before they are re-buried
an inventory is done
Letty in her widows black, her stockings tied with rags

and in that bag of Cath’s
an amethyst ring
a wristwatch that’s her Wilf’s.